Mad Libs About You

Welcome to 2019.
Among other things, this year is the fiftieth anniversary of the moon landing, the fiftieth anniversary of Woodstock, and the thirtieth anniversary of Return of the Swamp Thing. Take your pick.

We’re supposed to get all self-reflective and humble this time of year, making resolutions for the coming twelve months. Resolutions we intend to keep, but rarely do when reality sets in.
If I am to make a resolution, it’s to write a lot more. Yes, I already write a lot, but I’m not counting what I do for my current day job, which involves little if any true creativity. I mean I need to use this year to push myself to start and work on another overdue big writing project. Hopefully one that won’t turn out as awful as Grouch on a Couch, anyway.

I’ve wanted to write and publish a novel (or at least a decent novella) since I was about eight years old and lost in the worlds of Roald Dahl and Judy Blume and Pippi Longstocking and so on. I wanted to do that too. I probably could have done it fifteen or twenty years ago, if I hadn’t been discouraged by bad writing workshops that tried to turn me into something I wasn’t, and then virtually kicked me in the face when I couldn’t conform. I might have even done it since then if life hadn’t gotten in the way constantly. Instead, I’ve been writing and performing comedic prose poems (and trying to make a living from journalism and editing) while others around me have found the time and motivation to write and publish novels and other kinds of proper full-length books. It doesn’t seem right that I’m still not part of that club, even as a doorman. At least, not when it’s what I wanted to do all along.

I don’t make New Year’s resolutions, but if I have one for 2019, it’s to create something. Even a bad first draft can become a passable second draft, surely? Even if I have to spend a metric busload of money on writing classes just to motivate myself with assignments and deadlines, something has to give.

This need is why I’ve been in a transition phase over the past year – trying to switch my focus from spoken word to fiction. I’m not quitting spoken-word performance. If somebody offers me a local gig, I’ll take it. But I’m not actively pursuing it anymore – not pining for ideas for new material, nor haunting open mics. While I know I’ll never be one of the cool kids of the community (I’m never going to get the respect of a Koyczan or a McGee), I don’t feel like I have anything left to prove either.
(I’m also turned off by some of the gossip that’s been going on in the local poetry community, but that’s another story)

I am through with the U.K. touring, though.
This is something I’d already semi-secretly decided before I went on my last trip there in late October/early November. This trip had seemed like a much better idea when I’d planned it last January or February. And the three gigs I did went very well, as did a few open mics, and it was great to see a handful of friends I don’t get to see often. But although it’s the closest I get to feeling like a real literary success, it makes my credit cards very sad, and it’s stressful, and there are lots of other cities and places in the world I haven’t been to yet.

I actually seriously considered relocating to London about ten years ago, if mostly in my imagination. I was so excited by how broad and diverse the U.K. poetry and spoken-word community was, and I liked the friends I’d made there, and I’ve always loved certain aspects of British culture – the unsentimental wit, the innovative rock music, the gloomy sense of humour. For years, I’ve thought of London as a second home, even though I’ve never lived there. But being back there this November made me realize that I can live without it, too. Sometimes I even found myself wondering why I kept coming.

Of course I’ll miss it. I’ll miss the way St. Paul’s Cathedral looks like an oil painting of itself from the south bank of the Thames. I’ll miss wandering historical districts and imagining people in period garb walking those same streets centuries ago. I’ll miss Walkers crisps and large bottles of cider and buying pre-made sandwiches in the train shops on long journeys. I’ll miss seeing some of the best theatre productions in the world. I’ll miss an underground transit system that actually works most of the time – and riding in the front seat of the second storey of a double-decker bus and feeling as if I’m flying. I’ll miss the accents, and the ability to charm strangers with my own. But I know I can live without them.

*****

Well. Enough of diversions. Here’s the point.

As I said, I’m still accepting performance gigs when/if they come up. (One reason is that I still have a third of a box of This Album Is NIT FENNY! copies to get rid of.) One that I’ve accepted is the Ad Lib Talent Show on the 25th. Yes, my friend Damon Lum likes to celebrate his birthday by inviting all his buddies to get together and perform in a show. I may read a short story. Or I may stick to the old material. Or a little from column A and a little from column B. To find out, show up. Ring the bell to get in and then proceed to the third-floor studio. Details on the right sidebar.

Also, it looks like I’m going to be interviewed on TV in March. Online TV, that is. Stay tuned.

My Digital Journal output has been thin lately, but I did give a decidedly mixed review to this year’s Second City holiday revue. Click here to read the thing.

And now, here’s what Bosko has to say about Doug Ford.

We wish you a Merry Fitness and a Happy New You.

Conjiction jiction, what’s your fiction?

Time flies when you’re not accomplishing much, huh?

It’s been nearly five months since I posted on this thing. In that time, I’ve been focusing less on spoken word; I don’t have much new material, and I’ve been frequenting few open mics. That’s not to say I haven’t been writing. On the contrary – my day job involves almost nothing but writing, and I still poison the Internet with the occasional amateurish theatre review.

So what have I been doing lately? I’ve been focusing more on fiction. Short stories. Some of them silly, and some of them slightly less so. I took a couple of classes that were very encouraging, and they got me writing fiction again. At least, for the time being. I’ve been slacking off for the last few weeks, after the second class ended and work and other responsibilities began piling up. I’m hoping to pick that up again this long weekend, although I’m not ready to try the three-day-novel contest.

Perhaps I’ll read one of my shorter stories this Tuesday. Speaking of which…

On Tuesday, I’ll be featuring at Wild Writers, along with Bänoo Zan.
This will be a fun evening of poetry, prose, spoken word, beer… and free snacks! Host Georgia Wilder always has free munchies available – usually nachos, some kind of dippable vegetable, and occasionally even sushi. You may not even need to get dinner.

So expect a twenty-five-minute set from me, and bring a poem or two to perform on the open mic. More details on the right sidebar. Join the Facebook event page here.

In the meantime… you can check out a few more of my amateurish theatre reviews at this link.
Scroll down a bit and you can see the tribute I wrote about Superman: The Movie back in April. Then come back and yell at me for my lack of wokeness in not appreciating Black Panther and Wonder Woman enough.

And now, just for kicks…
here’s the best BAFTA moment ever.

Back to school, you mangy little brats.

Whan that Aprill with his shoures soote / The droghte of March hath perced to the roote

Hi.

I have new material. I don’t know if it’s really any good, although it got a few chuckles at a few poetry open mics, if that counts for anything, got damn it.

This Friday night, I’m back at Jammin’ on the One, also informally known as JotO, to do another short spoken-word set in front of the improv folks. You can be there too, if you want. Just show up at the Arts and Letters Club downtown, ring the bell, and then take the elevator or the fancy-shmancy stairs to the third floor. When you see the free chips and pretzels and all the silly improv people, you will know you’re in the right place.

Also, I wrote a few new theatre reviews. I invite you to read them, with all the audacity of a classic review-reading-inviter. Click here for that.

And now… do you believe in fairies?

No you don’t. But here’s the 1960 TV broadcast of Peter Pan, with Mary Martin, on glorious colour videotape. I haven’t had a chance to watch the whole thing, but I hear it’s super-politically-incorrect.

So long and thanks for all the ghoti.

The Penguins of March

They say March comes in like Dev Patel and goes out like Rael.
(If you didn’t get those references, you are probably too functional and socially adept for this website.)

No features this month, but you can catch me onstage in at least one poetry show: they’ve asked me to host the Art Bar yet again, and this time, the featured readers/performers are Rocco de Giacomo (again), Bruce W. Powe, and… Sheri-D Wilson.

Yes, that Sheri-D Wilson.
Not to be confused with Sherry D. Wilson, who runs a nice little waste-disposal business in Kalamazoo.

“Oh, this is too much!” you may be saying. “Come on, Jeff. It’s bad enough that they keep bringing you back to host Canada’s longest-running all-poetry series. But they’re even trusting you with Sheri-D Wilson? Sheri-D is a legend. One might even say, an icon of the Canadian spoken-word community. I’m not sure you can handle it, Jeff. I don’t think you have the maturity or the professionalism. Why don’t you let one of those nice IFOA people do it?”

Well, I will host the night on March 13, and rest assured that I plan to be mature and professional and on my best behaviour.

“But Jeff! She once wrote a poem about the c-word. The c-word, Jeff! That’s too much temptation for you. How do we know that you’re not just going to use that as a springboard for a night of abortion and hooker jokes, Jeff? Remember how you ruined Saskatoon.”

I ruined a whole city? Well, now you’re just being stupid, imaginary detractors.

So come to the Art Bar, hear three fine poets perform, and maybe even sign up to read in the open mic. You may even have a fun or two.

*****

Care about the Academy Awards? Then you’ll want to read my latest Digital Journal column:

“Oscars 2018 – Predictions, personal picks and random commentary”

Hurry! You have to read it before tomorrow night.
After that, the whole article becomes irrelevant. Forever.

And now for something completely different:

Ad libs and queens. These are a few of my favourite theens.

Welcome to 2018. And maybe the pleasure dome.

Two gigs this month. Aren’t you excited?

This Thursday, I’m performing a feature set at the Queen Gallery Poetry and Music Night. This event was supposed to happen last month, but it got moved. It seems that mid-January is a far better bet for audience turnout than four days before Xmas.

There’s also an open mic, if you want to share your own writing. It’s a small, friendly art gallery with a relaxed, casual atmosphere. Here’s the Facebook event page. If you’re not on the Facebook, I heroically and thoughtfully posted the details on the right sidebar here. You’re welcome.

Also: the Friday of next week, my friend Damon Lum is holding yet another Ad Lib Talent Show for his birthday. Other performers besides me include… actually, I’m not sure. And I’ve been too lazy to ask. There may be music by Charlene Winger and Terry Kan. And other stuff. Just go, it’ll be a surprise.

Are you suffering from the winter, post-holiday blues?
Here’s a montage of Cartoon Ricky Gervais laughing. (A few images/words may be slightly NSFW.)

Dress warm, flyboy.

Page 12 of 25« First...1011121314...20...Last »